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An amazing thing about the evolution of a city is the way its structure becomes interlinked. In eastern London, the Docklands Light Railway was built as a 'people mover' linking the residential redevelopments taking place around the long-disused docks (the revolution in sea freight with containerisation made the old docks redundant long ago) and this elevated railway snakes amongst the buildings, crossing canals and docks, and passing right through some buildings. This station is inside a low floor (third or so) of a high-rise tower, and immediately outside is a bridge across a wide canal. The city engineering is impressive and almost picturesque in a 21st century way. Here the chip has done an amazing job of balancing the dark interior with the bright exterior, and creates a real feel of conditions on the day. The natural contrast is very hard, and mid-tones were enhanced with gamma correction. Colour was also encouraged a little as an image like this is preferentially close to black and white. December, 2007; Fuji FinePix S5600, automatic. Image by Mike.
An amazing thing about the evolution of a city is the way its structure becomes interlinked. In eastern London, the Docklands Light Railway was built as a 'people mover' linking the residential redevelopments taking place around the long-disused docks (the revolution in sea freight with containerisation made the old docks redundant long ago) and this elevated railway snakes amongst the buildings, crossing canals and docks, and passing right through some buildings. This station is inside a low floor (third or so) of a high-rise tower, and immediately outside is a bridge across a wide canal. The city engineering is impressive and almost picturesque in a 21st century way. Here the chip has done an amazing job of balancing the dark interior with the bright exterior, and creates a real feel of conditions on the day. The natural contrast is very hard, and mid-tones were enhanced with gamma correction. Colour was also encouraged a little as an image like this is preferentially close to black and white. December, 2007; Fuji FinePix S5600, automatic. Image by Mike.
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