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After an evening band shoot at a city pub, I was heading home via public transport from Victoria Square, Adelaide, and could not resist trying again for a definitive portrait of the Hilton Hotel, in the full beauty of its floodlights. I steadied the camera against the uprights of the bus shelter and picked up a few frames of which this one has the most comfortable composition. The chip does a remarkable job of registering the intense contrast in a night time image, the length of exposure can be seen from the blurring of the pedestrian and car at lower left, and the frame was enhanced with the usual round of tweaks via Irfanview for publication. August, 2009. Fuji FinePix S5600, automatic. Image by Mike.
After an evening band shoot at a city pub, I was heading home via public transport from Victoria Square, Adelaide, and could not resist trying again for a definitive portrait of the Hilton Hotel, in the full beauty of its floodlights. I steadied the camera against the uprights of the bus shelter and picked up a few frames of which this one has the most comfortable composition. The chip does a remarkable job of registering the intense contrast in a night time image, the length of exposure can be seen from the blurring of the pedestrian and car at lower left, and the frame was enhanced with the usual round of tweaks via Irfanview for publication. August, 2009. Fuji FinePix S5600, automatic. Image by Mike.
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