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The light levels must have been very much 'in the cracks' between what was possible for daytime photography and the restrictions for a nighttime shoot. I caught this soft study of a house on the Brighton foreshore, southwest of Adelaide, SA, in spring, 2007, between sunset and moonrise, and the chip registered the pastel tones of the cool light wonderfully well. The frame was sharpened and very carefully balanced for colour and contrast, so as not to rob it of its original feel. Fuji FinePix S5600, automatic. Image by Mike.
The light levels must have been very much 'in the cracks' between what was possible for daytime photography and the restrictions for a nighttime shoot. I caught this soft study of a house on the Brighton foreshore, southwest of Adelaide, SA, in spring, 2007, between sunset and moonrise, and the chip registered the pastel tones of the cool light wonderfully well. The frame was sharpened and very carefully balanced for colour and contrast, so as not to rob it of its original feel. Fuji FinePix S5600, automatic. Image by Mike.
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